SoundStage! HiFi

  1. Note: Measurements can be found through this link.

    Reviewers' ChoiceAn unflinching commitment to iterative improvement is what sets “the best” apart from everything else, and in that respect, Devialet of France is competing only with itself. With a recent infusion of €100 million from a consortium of investors including Foxconn, Renault, and Sharp, Devialet’s aims clearly reach far beyond the listening rooms of audiophiles like you and me. Yet that show of confidence is predicated, in large part, on the success of Devialet’s Analog Digital Hybrid (ADH) amplifier, a patented circuit that earned its reputation for state-of-the-art performance in their line of Expert amplifiers, such as the 120, which I called “the single most impressive audio product I’ve ever spent time with” when I reviewed it in July 2014. Devialet claims that the newest iteration of the 120, the Expert 130 Pro ($7690 USD), is even better.

  2. At the 2017 Montréal Audio Fest, held March 24-26 at the Bonaventure Hotel in downtown Montréal, Canada, I thought the best-sounding room was Bryston Limited’s. Based in Peterborough, Ontario, Bryston began in hi-fi in the early 1970s, first building power amplifiers, then preamplifiers, and, much later, digital source components, external crossovers, power conditioners, cables, speakers -- even a turntable. And no doubt there are Bryston components I never heard about.

  3. Reviewers' ChoiceAs I sat down to write this review, I thought about how much digital-audio playback has evolved in the 11 years since I wrote my first article for the SoundStage! Network. In 2006, my friends were already well versed in using file sharing to populate their computers with, generally, highly compressed MP3 files. They owned CDs, but many had already copied them to their computers and were playing them from their hard drives. I was still listening almost exclusively to CDs, either through an NAD CD player or a Panasonic Shockwave portable, and I think that players such as the NAD were then still common practice for most audiophiles. Although standalone DACs were again beginning to feature more prominently in the marketplace, many serious high-end manufacturers were still introducing topflight CD players for a consumer base that had only begun to transition to computer playback.

  4. SoundStage! UKMy old man -- who was even less refined in his speech than I -- had a number of curious proletarian views, e.g., “The rich don’t get rich by giving it away.” He and I (though my relatives note too many similarities to ignore) shared little politically or philosophically -- he was a union official at the local Post Office branch, for starters -- but his pearls of wisdom still resonate nearly two decades after he passed away.

  5. Recommended Reference ComponentIncluding its outrigger base, conical feet, and protruding binding posts, KEF’s Reference 3 measures 47.3”H x 13.7”W x 18.5”D and weighs 113.1 pounds. At $13,999.99 USD per pair, it’s the smaller and cheaper of the two floorstanders in the Reference series -- above it is the Reference 5 ($18,999.99/pair). And yet, as Doug Schneider found while listening to it for his April 2017 review on SoundStage! Hi-Fi, the Reference 3 can be compared to some of the best speakers he’s heard, even at twice the price.

  6. Reviewers' ChoiceThe last two MartinLogan components reviewed by the SoundStage! Network were the BalancedForce 212 subwoofer, on this site, and the relatively conventional Motion 35XT loudspeaker, on SoundStage! Access. They proved so good that each received a Product of the Year award. However, as most audio enthusiasts know, MartinLogan is best known for their electrostatic loudspeaker (ESL) models, most of which are hybrid designs that combine an electrostatic panel for the high- and midrange frequencies with a conventional dynamic woofer.

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