When I first started collecting LPs, in the mid-1970s, my record cleaner of choice comprised a liquid and brush made by Discwasher. I would place an LP on my Philips GA312 turntable, and apply to it a few drops of the solution in a straight line, from lead-in groove to lead-out groove. Keeping the platter immobile with one hand and holding the brush in the other, I’d then sweep the brush around the record three times counterclockwise -- and my worn copy of Tattoo You would be good to go.
I’m often pitched products for review here on SoundStage! Ultra -- the SoundStage! Network site that covers extreme hi-fi components, and where my writing has primarily appeared for more than a decade. It’s obvious to anyone who reads this site the products we review are often priced far above most audio products. It makes sense: I’ve reviewed lots of expensive electronics and speakers over the years -- it’s what I’m known for in audio circles -- and that writing is the focal point of Ultra.
Who knows why we become enamored of certain material things? A particular automobile may “speak” to us on some level even before we drive it. We know it’s the right SUV for us because, mysteriously, it aligns with our views on, well, SUVs. And often, when you finally get behind the wheel, the act of actually driving it for the first time becomes a self-fulfilling prophecy. And you buy it.
PJCE Records PJCE 028
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
I first heard Andrew Durkin’s music in 2001, when I received a copy of Hardcore, the first album by the Industrial Jazz Group. Durkin was the group’s leader, composer, arranger, and pianist. I reviewed Hardcorefor Planet Hi Fi, and for the SoundStage! Network covered the IJG’s next two albums, City of Angles (2002) and The Star Chamber (2004). Durkin’s music is complex yet accessible, brainy but not coldly intellectual, and often humorous.
Selecting an audiophile equipment rack can be unnerving. Rack makers rarely agree on anything, and almost all assert that their chosen design is the best. Look, for example, at the bewildering number of construction materials used: aluminum, acrylic, carbon fiber, ceramics, glass, granite, steel, and untold numbers of woods, common and exotic, solid and composite -- to name just a few.
I’m probably not going to be the most popular guy walking the halls at this year’s High End show in Munich, Germany, because I’m about to reveal something that a growing number of reviewers don’t want you to know.